@ofnosurnamefame

Posting something I had written for “I love trashy hindi movies” long time back…

Understanding the exact factors leading to the kind of socio-political-cultural change the TV serial Ramayan could bring into the Indian subcontinent has always been a rather baffling experience for me. Despite my best efforts, I have never been able to crack how on earth could the Maganlal Dresswaala foreground and the rapturously revolting Ravindra Jain background catch the fancy of so very many viewers across the country. Seriously – and this is where it gains significance in our forum – Ramayan, at best, was B-grade cinema in a pukishly pretty mythological avatar, with a rather cracked conglomeration of lousy actors, lousy sets, lousy costumes, lousy wigs, lousy masks, lousy special effects and lousy everything else.

Compared to Ramayan, the other lethal mix of Punjabi-Bollywod aesthetics and Gujarati-Bollywood imagery, Mahabharat, was a shade better in terms of…

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